Although it’s stronger internationally with $362.9M after a $10.9M weekend in 67 markets, that’s nowhere near Fallout‘s $571.5M. MISSION: IMPOSSIBLE – DEAD RECKONING PART 1 (Paramount) lost 29% to $4.7M in its 5th weekend, and will hope to get past $175M in the US, which would be $45M below Fallout. SOUND OF FREEDOM (Angel) dropped 36% to $4.8M in its 6th weekend, headed toward $185M in the US. It has $5.2M in early international release. TALK TO ME (A24) has clearly become the summer horror movie of choice, down a remarkable 19% to $5.1M in its 3rd weekend, and possibly able to hit $50M in the US. The off-shore results were even worse with $22.7M to date. HAUNTED MANSION (Disney) stabilized with a 39% drop, but that still only gave it $5.6M for its 3rd weekend, and it may not reach $70M in the US. Meg 2 was co-financed by a Chinese studio and features that country’s star Jing Wu in the cast, and China has contributed $90.2M to the international total. It’s considerably softer overseas thus far, with $21.9M after a $10.4M weekend in 47 markets.Īlthough MEG 2: THE TRENCH (CMC/Warners) fell 58% to $12.7M in the US, and likely won’t earn more than $90M in the US (a long way below the $145.5M of its predecessor), its real audience is overseas, where it has $202.8M after a $43.7M weekend in 75 territories. TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (Nickelodeon/Paramount) dipped 44% to $15.8M, and should pass $100M in the US. It’s reached $384.8M overseas after a $32M weekend in 79 territories. OPPENHEIMER (Universal) had an even slimmer decline, down 35% to $18.8M and headed toward $300M+ in the US. The worldwide total is nearly $1.2B (about $160M below Super Mario), with international at $657.6M after a $45.1M weekend in 75 markets. HOLDOVERS: Without meaningful new competition, BARBIE (Warners) had no trouble retaining the weekend crown, down 36% to $33.7M in in its 4th weekend, and on a path to become the #1 film of the year ahead of Super Mario Bros. GRAND TURISMO (Columbia/Sony), which was originally supposed to open in the US this weekend but pushed to August 25 (while maintaining a possibly unprecedented schedule of as-yet unreported “previews”), did debut in 30 overseas territories with $10.7M. The tiny JULES (Bleecker Street) launched for some reason at 780 theaters, and managed a lousy $835K for the weekend. It hasn’t yet opened overseas, but will have a difficult time trying to recoup $100M or so in production/marketing costs. OPENINGS: THE LAST VOYAGE OF THE DEMETER (Universal) stirred little interest from critics or audiences, and set sail with a flat $6.5M.
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